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Newsletter #010: Project Green Countdown
The call for proposals for the 2012 edition of Project Green closes in just two weeks, at midnight on Wednesday, February 29, 2012. Until then, independent film and video makers are invited and encouraged to submit proposals for participation. Guidelines, an application and rules and terms for participation can be found on the Project Green Blog. The Producers Guild of America Green’s Unified Best Practices Guide and their site will serve as Project Green’s official sustainable production resources.
Selected participants will be notified March 19, 2012, and will have through September 3 to complete the rough cut of their project. Final projects will screen October and November 2012. Confirmed screenings thus far include:
- Sunday, October 14, 2012 @ Biografteatern Rio (Stockholm, Sweden)
- Wednesday, October 24, 2012 @ Tekniska Museet (Stockholm, Sweden)
Additional screenings will take place in Vietnam, Paris and New York, among other locations. More details to be announced in the coming months.
In other NOMAD news, most of The NOMAD Archive projects are now available for digital download and/or purchase via Tribeca Film Institute’s Reframe Collection. Links are included below, and you can find more information at nomadfilms.net, per usual:
- Anonymity (Mark Norfolk)
- Baby Detonate For Me (Alessandro Zangirolami)
- Candy Darling (Silvia Defrance)
- Einsamkeit (Sangbum Blake Heo)
- In The Dark (Ho Tam)
- Searching For An End (Jason Oldak)
- Selvage (Vienne Chan)
- The Dawn No More Rises (Clara Djian and Nicolas Leto)
- Une Fois Mars Colonisee (Pierre Yves Clouin)
As always, many thanks for your continued support! Please do pass this information along to those you think may be interested, and stay tuned for updates related to NOMAD Films, The NOMAD Project and Project Green 2012!
All our best,
Ari and Sarah
NOMAD Films
http://nomadfilms.net
Facebook | @NOMADfilmsParis | Project Green
Project Green 2012 CFP NOW OPEN!!!
NOMAD Films is excited and eager to launch the 2012 edition of Project Green. As of today, January 16, 2012, film and video makers are invited to submit proposals for an ecological-minded media project produced via sustainable methods of production.
Guidelines are listed below and here; you’ll also need to complete an application and read and sign the rules and terms of agreement. The Producers Guild of America’s Unified Best Practices Guide will serve as Project Green’s official production resource.
The CALL FOR PROPOSALS will be open through February 29, 2012. Selected participants will be notified March 19, 2012, and will have through September 3rd to complete the rough cut of their project. Final projects will screen October and November 2012. Screening locations announced March 2012.
GUIDELINES FOR PARTICIPATION
NOMAD Films requires that selected participants heed to the below guidelines throughout the production process:
- MENTOR: Filmmakers will each be assigned a mentor – a film industry professional and/or sustainability expert – and will have bi-weekly calls (or in-person meetings when possible) to review the production process and progress and to work through any obstacles. NOMAD Films executives will be invited to participate in each of these calls.
- Participants are required to meet with mentor and NOMAD Films executives PRIOR to the start of production, to determine which of the production methods suggested in the Producers Guild of America Green’s Unified Best Practices Guide will be incorporated.
- The subject matter – whether the film or video is documentary, narrative or animated – should address or promote some aspect of sustainability, ultimately empowering the audience to make more sustainable-minded efforts in their own individual lives.
- The project can be no shorter than FIVE (5) MINUTES in length, and no longer than THIRTY (30) minutes in length. Any projects less than or exceeding this length must be approved by NOMAD Films before the start of production.
- Films must be in English, or include English subtitles/text where relevant.
- BLOGGING: Participants will be required to submit content to NOMAD Films for bi-weekly posts to the Project Green Blog. NOMAD Films will provide themes/areas of focus for each post. Posts should include:
? Notes and/or feedback from various aspects of the production: what do you find easy about the guidelines? What is difficult? What is reasonable and/or what is outrageous, and what just doesn’t work? How are the guidelines positively or negatively affecting your methods of production?
? Timeline/production planning: Do you think this was a productive two weeks? What are your goals for this coming week and what are you planning for next week? Please discuss any upcoming key dates.
? Photographs and/or brief video diaries providing a behind-the-scenes look at the production experience; short clips or sequences from the actual film/video. - Pending scheduling, availability and funding, participants and mentors will attend the screenings and participate in the Question/Answer sessions and any other Project Green related screenings and/or events.
- NOMAD Films does not charge a submission fee for participation in Project Green. Additionally, a portion of any financial support received for this initiative will be used to support production efforts. That said, NOMAD Films does request that participants promote Project Green fundraising initiatives and are an active member of NOMAD Films and Project Green’s online networks.
HOW TO SUBMIT
Potential participants must submit:
- A project proposal and/or film/video synopsis UP TO FIVE PAGES
- A detailed projected budget for the entire production, including how much of the funding is already secured and what additional funding is needed (*NOMAD Films is unable to provide funding for projects at this time)
- A production timeline, which includes key dates for pre-production and research through final edits (with a rough cut deadline of September 3, 2012, and a final cut deadline of September 17, 2012)
- A completed Project Green Application
- Signed and dated Project Green 2012 Rules and Terms of Agreement
- Supplementary materials: Participants are invited to send reels, links, and/or additional materials which inform upon filmmaking abilities and/or experience
All information should be e-mailed as PDF attachments to sarah@nomadfilms.net. Materials received after 11:59 PM February 29, 2012, will not be considered.
Signed Rules and Terms of Agreement can be scanned and e-mailed, otherwise should be mailed to the below address, postmarked no later than February 29, 2012.
Sarah Schutzki
Executive Director | NOMAD Films
86 Waverly Avenue – Ground Floor
Brooklyn, New York 11205 USA
Please contact Sarah Schutzki (sarah@nomadfilms.net) with any questions.
GOOD LUCK!!! We’re looking forward to seeing your proposals and to working together with you!!!
Posted in NOMAD Films, Press, Project Green 2012
Tagged action center for the city, France, GAP international, global action plan international, green filmmaking, NOMAD Films, pga green, project green, sustainable filmmaking, sustainable filmmaking initiative, sweden, unified best practices, United States, vietnam
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Green Filmmaking Tips from American University’s School of Communication
The School of Communication at American University has – much to our delight – created a CODE OF BEST PRACTICES FOR SUSTAINABLE FILMMAKING. Point #1 in that code: calculation…
PRINCIPLE: Know how much energy we are actually using.
We can do this by calculating to the greatest extent feasible actual energy inputs, even when they are underpriced or not recognized in the market, throughout the production process.
Our best tool for long-term planning is good baseline information. We need to know how much carbon we are adding to the atmosphere to be able to measure success in reducing it. Therefore, good information on carbon costs, transparently shared with colleagues, employees, and trainees, is critical. Even if we cannot act immediately to reduce our carbon costs, we should identify them in developing our calculations and budgets.
LIMITATIONS: We often lack good tools to do these calculations. The science of calculating carbon costs is still emerging, and today’s carbon and environmental trackers are in a constant state of evolution and refinement. Further, much of our work is done under contract to companies or clients with budgeting guidelines that do not acknowledge real energy inputs. Even when we cannot observe this principle, we should do our best to educate our colleagues about the production and accounting practices we think are the most helpful and responsible. Finally, many of our suppliers are not ready for carbon calculations. They need to know that we regard this as a high priority, and that we will choose alternatives if available. (Download our document How to Use Carbon Trackers,” and for a partial list of carbon calculators download our Web Resources document here.)
For more information and resources from the School of Communication, click here.
Posted in Press
Tagged american university, best practices, school of communication, sustainable filmmaking
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Project Green 2012
Project Green 2012 is in the works! We’ve been busy reviewing participant feedback and taking not on what worked, what didn’t, and what we can do to improve the next edition! We’re also tightening up the guidelines, and expanding upon our initial list of suggested methods for sustainable production.
More news to come, but in the meantime stay up-to-date on all-things NOMAD Films, and Project Green, via our Facebook page! And, if you don’t already “like” us, please do…
?”I feel proud to be part of the first Project Green. The international reach and diveristy made the entire experience interesting and fulfilling. It helped to hear about the various cultural perspectives on sustainability, as well as the obstacles in each country.” Susannah Tantemsapya, Project Green 2011 Participant, Founder/Executive Director of Creative Migration and Director/Producer of GREEN PATRIOT POSTERS.
Posted in Press
Tagged creative migration, green patriot posters, NOMAD Films, project green, susannah tantemsapya
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NOMAD Archive’s Ho Tam releases FRONT LINE, an interview book, in China!
Front Line (??), an interview book on 17 Canadian artists is just released in China. This is the first of its kind. To coincide with the book, there has also been a group exhibition of works by all artists at the prestigious Pingyao International Photography Festival. Both projects are the initiatives of Ho Tam, a Vancouver-based writer/artist.
Because of the economic growth and opening in trade, there has been a significant increase of sales of cameras and a surge of interest in photography in China. Tam decides to seize this critical moment to introduce the foreign artists and their diverse art practices to the Chinese audience and readers.
Front Line is intended to provide a platform for dialogue among living artists and the public. It is also a manifesto made up of many voices in our photographic community. As the techniques and practices continue to change and evolve, in a century dominated by image making, this book and exhibition take stock of the current state of art making.
The 17 artists in the book and the exhibition represent a wide range of age, background, education, stage of career, concern and approach in using photography in their work. They range from traditional documentary photographers to artists who do not use cameras.
Front Line (??) is written and edited by Ho Tam. It is published by the Beijing Modern Press (???????). The book has 244 pages and is printed in full colour with over 200 illustrations of works by the 17 artists.
The group exhibition Front Line took place in Pingyao from September 19 to 25, 2011. It is also curated by Tam.
For more information on the book or the artists shown, please contact Ho Tam at hotam88@hotmail.com or (604) 721-0671
Ho Tam is an artist/writer and educator from Canada. His practice ranges from visual art and writing to film and video. He graduated with a B.A. degree from McMaster University (Hamilton, Canada) and a M.F.A. degree from Bard College (New York, USA). Tam also participated at the prestigious Independent Study Program at the Whitney Museum of American Art, New York City.
Since the 1990s, Tam has been involved in the cultural work and art education in the community besides his creative work. He has been employed by several non-profit arts organizations and galleries, as administrator, coordinator, programmer and curator. From 2003 to 2010, Tam worked at the University of Toronto as lecturer, and at the University of Victoria, as assistant professor and associate professor in the Department of Visual Arts.
Ho Tam is active in both visual and media arts. His work has been exhibited at numerous international venues including Toronto International Film Festival, Yamagata International Documentary Film Festival, Museum of Modern Art (New York), and National Gallery of Canada (Ottawa).
Posted in Press
Tagged book release, Documentary, Film, front line, Ho Tam, nomad archive, photography
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As you know well, back in April NOMAD Films and partner Global Action Plan Sweden launched Project Green, a sustainable filmmaking initiative in which five production teams – from the United Kingdom, India, Vietnam and the United States – were selected and paired with mentors to produce projects via sustainable methods of filmmaking, and with sustainability at the core of the subject matter.
The five projects selected were:
- GREASE LIGHTING (London, England)
- Community Vegetable Garden / The Story of Phuc TAN (Ha Noi, Vietnam) – Teaser
- WAT(EV)ER (Bangalore, India)
- Thinking small (Bangalore, India)
- GREEN PATRIOT POSTERS (Los Angeles, California, USA)
Production has been underway since June 2011, and the production teams are working hard to complete the final projects in time for the screenings next week in Stockholm.
The films will screen Bio Rio Cinema on Sunday, October 2nd, at 11AM. An additional screening will take place at the Museum of Technology on Monday, October 3rd, at 4PM. A question and answer session with filmmakers and Project Green creators will take place following each screening; a round table discussion, to further review the suggested methods of sustainable filmmaking and to create a set of industry standards, will take place on Monday, following the screening at the museum.
A possible third screening, featuring a selection from the prior two programs, is planned for Tuesday, October 4th. Details to be announced via GAP’s website soon.
How can the film be used to influence people’s behavior? What have been the biggest challenges when it comes to producing films with sustainable practices? What is the most important thing to remember when making a film aimed to influence peoples’ decisions?
Buy tickets for Project Green’s premiere on Sunday, including breakfast at Bio Rio Cinema Theater, HERE!!! And sign up to see films at the Museum of Technology HERE.
For more information about Project Green projects, participants, mentors and related events, please check out our blog: http://projectgreen2011.wordpress.com/.
P.S. Please share this information with others who may be interested in joining us in Stockholm!
MAKE A DONATION AND JOIN A CAMPAIGN TO MOBILIZE FOR ART AND CLIMATE CHANGE
Filmmaker and social activist: SusannahTantemsapya
My passion is art and social activism. I am the Founder and Executive Director of Creative Migration, a non-profit organization that produces documentary films promoting art projects that inspire artists, filmmakers, musicians, designers, environmental activists and everyday citizens to promote and practice social change.
The film project: GreenPatriotPosters
Our film builds on the momentum of Green Patriot Posters, a multi-channel campaign centered on posters that encourage all U.S. citizens to take part in building a sustainable economy. It has already reached 4-5 million people through bus ads, billboard campaigns, museum exhibitions and media coverage.
Here’s the main story of our short documentary film:
- the vivid and compelling poster campaign at 8 bus shelters in San Francisco during December 2010
- the evolution and scope of the project including interviews with its founders and contributors
- the sustainable practices used and modeled throughout the campaign and filmmaking process
WATCH HERE: http://kck.st/okd0Yz
The communications campaign: a series of posters promoting environmental awareness and action
- These posters were selected from Green Patriot Posters, created and curated by Edward Morris (co-founder of The Canary Project) and Dmitri Siegel (director of marketing for Urban Outfitters)
- Morris and Siegel commission posters from design leaders, and have developed an online community for sharing and voting on original designs. The posters are then distributed as widely as possible, including an ecologically designed book, public advertising, workshops and our documentary film!
The players: artists, advocates and urban dwellers
We’re interviewing the following contributors/award-winning graphic artists: Shepard Fairey in Los Angeles, DJ Spooky and Michael Bierut in New York City and Mathilde Fallot in Paris; advocates for best environmental practices for artists; and people on the street who encountered these dynamic posters.
The environmental conference: Project Green
We are super excited because Green Patriot Posters is the only American film that has been invited to participate in Project Green, a sustainable filmmaking initiative and an environmental conference being held in Stockholm, Sweden in October 2011.
The Kickstarter campaign: we need your help NOW to raise $4,500 in 4 days!
Our deadline is 11pm PST on Monday, August 29th.
The opportunities for you - when you contribute to Green Patriot Posters you will:
- Learn to minimize your carbon footprint
- Join us as we model and educate the public about sustainable environmental practices
- Participate in a global community of artists, filmmakers, photographers, writers, publishers, activists and citizens advocating for social change
- Get rewards including film credits, cool stickers, posters, copies of the Green Patriot Poster book, autographed copies of the book, and more
- Make a tax deductible contribution to Creative Migration
PLEASE DONATE to the Green Patriot Posters film and take actions towards a safe, green future when you click this link now: http://kck.st/nCrEIY.
Help out and spread the word!
Posted in Press
Tagged advocates, american film, Art, beirut, campaign, communications, conference, creative migration, dj spooky, Documentary, environmental practices, Film, Filmmaker, filmmaking, fundraising, gap sweden, green patriot posters, kickstarter, Los Angeles, mathilde fallot, New York, NOMAD Films, Paris, project green, road trip, shepard fairey, social activist, stockholm, susannah tantemsapya, sustainable, urban dwellers
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Meet Project Green participant Sharath Chandra Ram!
Director/Producer: Sharath Chandra Ram
Sharath Chandra is an experimental media artist, currently based in Bangalore, India.
After graduating with a Masters in Artificial Intelligence from the University of Edinburgh (within the Institute of Perception, Action and Behavior) in 2008 with specializations in Interactive Systems, audio-video processing and Virtual Environments , he has research interests pertaining to human machine interfaces, perception studies and adaptive systems in smart energy homes using persuasive agents.
His recent work ‘Neon Fauna’ (installed at the ‘Sound and Lights’ exhibition of Jaaga.in in collaboration with the Goethe Institute @Bangalore) is his first in a series of interactive video art that shall explore ‘generalized symmetry’ and interactions that exist between Nature and Artificial Reality.
As a licensed radio broadcaster (VU3HPA), he has been an RJ for Edinburgh’s ‘Fresh Air’, produced radio documentaries for PANOS UK ( @Nepal), trainer for community radio NGOs (VOICES-UNDP), speaker at the International HAM-Radio Convention (Port Blair, 2006) and is a proponent of the free use of airwaves for relief work, education and transmission art.
As a film enthusiast, he is a member of the Edinburgh Filmhouse Film Guild and played an active part as a reviewer at the 2009 Edinburgh Film Festival.
THINKING SMALL [00:00]
Budget: 100 British Pounds
‘Thinking Big by Thinking Small’ – Micro visuals, Minute interactions and activities in the world of insects bacteria, microbes and flora, often overlooked, have a direct correlation and feedback to the life and activities of humans that degrade our living environment.
In my current experimental work and in my film for Project Green, one of the aspects I will explore are micro interactions and their parallels to human life and our mechanized artificial environment.
The age old adage of computer user interfaces : WYSIWYG is infact : What You DON’T See Is What You Get. When one stares at the sheet white computer screen, the image is really, an illusion created by appropriate shades of Red Green and Blue elements of minute pixels. My first test visual using a DIY microscope on my computer screen reveals these unit pixels.
As human beings on top of the ecological pyramid, we often are oblivious to the presence of little insects, microbes and bacteria. Ironically the total mass of these organisms on Planet Earth, far exceeds the mass of multi cellular organic species of flora and fauna.
It is still a mystery , how photosynthesis in leaves and bacteria, capture light’s energies at efficiencies yet unapproached by human engineers.
While we feel that we are technologically advanced , we have infact resorted to the easiest and most disruptive methods of producing energy, especially the nuclear way. Repeated attempts to introduce sustainable sources and methods are thwarted by corporate pressure.
In the recent wake of the Tsunami and the Fukushima nuclear leak, I have been quite active in the radio frequencies with my fellow radio stations from Japan. It is devastating to know about how information regarding the nuclear leak has been suppressed, despite Fukushima being the greatest tragedies of the planet. Still, there seems to be no cap on the construction of new nuclear power projects. Reports suggest that the amount of Plutonium that has escaped into the atmosphere is sure to promote cancer in the next 6 years in Japan, as well as via North American rains. I cannot think of a better way to sensitize my viewers than with compelling footage of cancerous cell division and multiplication.
On the macro- level, I feel multiplication of mutant cells are so very analogous to the uncontrolled fission of Uranium that produce neutrons in the chain reaction.
When I start filming and processing images of these micro interactions, I wonder if it is infact these advanced microbes who have been observing us (in and out) all these years.
Take for instance — dutiful ants who walk great distances in search of food but suprisingly walk back home by computing the shortest path of a straight line — thanks to an advanced visual system that stiches a panaromic view of their paths. I beleive certain faculties for adaptation become even more advanced in microbes.
Being the most primitive and native organisms of planet Earth, ever since life first emerged, they are part of a crucial feedback and control system to signal ecological imbalances created by man. Infact, everytime a major disorder occurs in the habitat of viruses , they go out in seek of a new host (at times, human hosts) to cause chaos everywhere. Interestingly the SARS epidemic (now dormant) spread solely though the air filters of airplanes, spreading throughout the world via passengers. It maybe also noted that the carbon foot print of a person flying on an airplane from, say, north UK to the south, is equal to a whole year’s of driving up and down. These are just some of the parallels that I intend to bring out visually in my film.
I am in the process of accquiring high end footage of microbia and viruses, via the Department of Microbiology at University of Edinburgh as well as the Indian Institute of Science, in Bangalore, India .
I am sure just picturing the above thoughts has caused a sense of unease. This is exactly the feeling I would like to cause to the viewer; happy candy balls of hope and pretence that everything is still under our mechanized control is not something that convinces me.
Of course, the above footage will be suitably contrasted with hopeful visuals of sustainable energy solutions, with lots of green and sun, underlining a major need for change. This will be coupled with an automatic soundscape that suggests the feeling for change and realization, self-generated using image processing by analyzing movements in the video frame and converting them to sounds.
Posted in Screenings & Events
Tagged bangalore, gap sweden, india, NOMAD Films, project green, sharath chandra ram, thinking small
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Meet Project Green’s Creative Migration!
We’ve recently launched the Project Green blog and were ECSTATIC to introduce the participants via our latest NOMAD Newsletter (Hot as hell…). Now, we’d like to take some time to help you take some time to get to know who we’ll be working with towards bettering the world via independent filmmaking.
To start, here’s some info regarding Creative Migration, straight from the source:
Creative Migration (CM) is a not-for-profit organization that produces documentary films promoting socially engaged art projects that mobilize change.
Vision: We shift perspectives by showing examples of what is possible in our world. We aim to inspire young people to take concrete action in their own lives and communities.
Values: Elevating ideas and stories can spark social change in our everyday lives. Our platform encourages collaboration and participation by providing access to artists in social practice. http://creativemigration.org
PRODUCTION/DEVELOPMENT:
GREEN PATRIOT POSTERS (short film)
Green Patriot Posters brings together the strongest contemporary graphic design promoting sustainability and the fight against climate change. This campaign uses dynamic posters to encourage citizen participation in building a sustainable economy (created by The Canary Project). These posters can be general (“We Can Do It!”) or can promote a specific sustainability action.
Green Patriot successfully raised funds to take over eight bus kiosks in San Francisco–during December 2010–via LoudSauce, the first crowdfunded media buying platform that allows art and social causes to take their messages to the streets.
Visit our Kickstarter Campaign for more details …
POST-PRODUCTION:
PROSPECT NEW ORLEANS (short film)
Prospect New Orleans is the largest international contemporary art biennial in the United States, specifically created to both economically and culturally revive the city after Hurricane Katrina. During its closing week in January 2009, we witnessed how an ambitious project provides opportunity, change and growth to a place devastated by natural disaster.
LAUNCHED:
WHERE’S MY REVOLUTIONARY SPIRIT? (web series)
In late September 2008, we documented the artist collective, Red76, and their Revolutionary Spirit project in collaboration with Creative Time’s Democracy in America campaign in New York City. Coincidentally, the global financial crisis was just beginning, and we had no idea what a profound moment in history we were about to capture.










